The Little Prelude in C Major (BWV 939) is a nice little piece which focuses on broken chords and the delicate execution of ornaments. In this post I provide two videos: a performance and a breakdown with practice tips.
Part 1: Performance Video
As usual, the best thing to do at the start is:
- Listen and watch first: get familiar with the sound of the piece and how the hands move.
- Listen and follow the score: have a second listen, but this time follow the notes on the score. By doing so you will start establishing a connection between what you see and what you hear.
Part 2: Full Practice Breakdown
After you’ve done your listening, it’s time to get your hands dirty and go practice. In this walkthrough, I break the Prelude into manageable practice units.
- 0:00 – Setting the tempo: Practice speed (69 BPM) vs. final performance speed.
- 1:17 – Left Hand Depth: Making the opening octaves ring out.
- 2:07 – Right Hand entry: Mastering the offbeat in Bar 1.
- 4:11 – Fingering: My suggested alternative fingering for Bar 3 to keep it consistent with the start.
- 7:50 – Connections: Smoothly joining Bars 4 and 5.
- 13:04 – Mid-piece transition: Practicing the link between the two main sections.
- 16:02 – Following the arpeggio pattern as it changes hands.
- 21:20 – Hand preparation: How to jump cleanly between Bars 8 and 9.
- 29:52 – The Mordant: Breaking down the G – F# ornament in Bar 9.
- 31:47 – Ornament Coordination: How to time the mordant against the left-hand quavers.
- 38:11 – Bar 13 Challenges: Managing the rhythmic difference between the hands.
- 40:15 – Semiquaver Runs: Practicing the fast run in Bar 14 using groups of 4 and 5 notes.
- 45:59 – Finger Substitution: Changing 4 to 1 on the F while maintaining the legato.
- 47:00 – Final Cadence.
Whether you are stuck on this Prelude or need help with your repertoire, let’s get you exam-ready.
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