The Little Prelude in C Major (BWV 939) is a nice little piece which focuses on broken chords and the delicate execution of ornaments. In this post I provide two videos: a performance and a breakdown with practice tips.

Part 1: Performance Video

As usual, the best thing to do at the start is:

  • Listen and watch first: get familiar with the sound of the piece and how the hands move.
  • Listen and follow the score: have a second listen, but this time follow the notes on the score. By doing so you will start establishing a connection between what you see and what you hear.

Part 2: Full Practice Breakdown

After you’ve done your listening, it’s time to get your hands dirty and go practice. In this walkthrough, I break the Prelude into manageable practice units.

  • 0:00 – Setting the tempo: Practice speed (69 BPM) vs. final performance speed.
  • 1:17Left Hand Depth: Making the opening octaves ring out.
  • 2:07 – Right Hand entry: Mastering the offbeat in Bar 1.
  • 4:11Fingering: My suggested alternative fingering for Bar 3 to keep it consistent with the start.
  • 7:50 – Connections: Smoothly joining Bars 4 and 5.
  • 13:04 – Mid-piece transition: Practicing the link between the two main sections.
  • 16:02 – Following the arpeggio pattern as it changes hands.
  • 21:20 – Hand preparation: How to jump cleanly between Bars 8 and 9.
  • 29:52The Mordant: Breaking down the G – F# ornament in Bar 9.
  • 31:47 – Ornament Coordination: How to time the mordant against the left-hand quavers.
  • 38:11 – Bar 13 Challenges: Managing the rhythmic difference between the hands.
  • 40:15Semiquaver Runs: Practicing the fast run in Bar 14 using groups of 4 and 5 notes.
  • 45:59 – Finger Substitution: Changing 4 to 1 on the F while maintaining the legato.
  • 47:00 – Final Cadence.

Whether you are stuck on this Prelude or need help with your repertoire, let’s get you exam-ready.

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